Film Discourse in the Contemporary World: Semiotics and Analysis

The most complete characterization of film discourse as a sign system is given below:1. Film refers simultaneously to optical (perceived by sight) and auditory hearing) systems. 2. non-biological (cultural) natural semiotics, the occurrence which not planned or organized.3. complex multi-level semiotics. It has subsystems signs that form certain hierarchy. Signs in such semiotics are combined according rules, changing theorder location one we change meaning whole combination signs. 4. an open ability interact with environment.5. Depending on approach research, units cinema can be considered minimum non-discrete image units; large segments (frame, plan), addition visualcomponent include movement, sound, etc.; chain frames. 6. Cinema multi-code based several codes operatewithin each generating system. There also control differentsemiotic systems movie work at their junction, genre emotiveness (drama, comedy,tragedy, thriller, etc.), artistic chronotope temporal perspective retrospective(futurological film, historical drama) localization events - both fictional real ones (alienlife abandoned God Texas town). reflects ethnocultural specific features creators itself habitat, coupled socioculturalenvironment creations.